Low-resolution preview (256x144) for evaluation. The licensed download is the clean 4K UHD master at the stated resolution.
Download the free low-res preview to test in your editTraffic White Building And Blue Sky On A Sunny Day (Los Angeles, 2019)
No people visible. No identifiable people are visible in this clip.
Commercial clearance still depends on the final use and any property shown.
About this clip
The scene features light traffic and urban movement, showcasing a bright, modern city atmosphere. Ideal for b-roll, cinematic projects, or editorial content exploring urban environments and modern life.
Clip Intelligence
- Production use
- Useful for a Los Angeles urban b-roll slot in a documentary, agency mood reel, brand film, travel edit, or social cut needing daytime traffic, office buildings, open land, and a clear blue sky.
- Edit role
- Works as a short opener, cutaway, or transition beat between city scenes, with enough road activity and skyline depth to bridge office, commute, or suburban Los Angeles material.
- Visual details
- A high, wide view shows multilane road traffic, parked cars, palm trees, low buildings, open lots, distant hills, a tall white building at right, bright sun, blue sky, and no visible people.
- Shot mechanics
- The frames hold a static elevated composition with dark foreground landscaping, a road and parking areas in the midground, open urban blocks beyond, and a high horizon under a broad sky.
Shot slate
- Resolution
- 3840 × 2160
- Frame rate
- 29.97 fps
- Duration
- 5s
- Codec
- H.264 MP4
- File size
- 35 MB
- Location
- Los Angeles, California, United States
- Year filmed
- 2019
- Published
- Jun 2026
Still Frames From This Clip
4 frames exported from the 4K master of this clip, in timeline order. The licensed download is the full-motion master, not these stills.
License this clip royalty-free for $79 (Standard: all media, worldwide, perpetual, up to 1M views) or $199 (Extended: unlimited distribution, broadcast TV, theatrical). Instant 4K download with a license PDF, direct from filmmaker Phil Maher.