Low-resolution preview (256x144) for evaluation. The licensed download is the clean 4K UHD master at the stated resolution.
Download the free low-res preview to test in your editWaves That Hit The Shore And Retract Leaving The (El Cardoncito, 2020)
No people visible. No identifiable people are visible in this clip.
Commercial clearance still depends on the final use and any property shown.
About this clip
The blue and green ocean water hits the sand, creating foam as it retracts, capturing the natural rhythm of the coastline. This tranquil scene evokes a sense of calm and connection with nature, showcasing the beauty of the Pacific coast.
Clip Intelligence
- Production use
- Useful for travel edits, coastal documentary segments, agency mood reels, brand films, and social cuts needing 4K aerial surf texture from El Cardoncito, Baja California Sur, Mexico.
- Edit role
- The 6 second runtime works as a short transition, ocean texture insert, opener beat, or calm closer between beach access, shoreline, and coastal landscape shots.
- Visual details
- A top-down view shows teal and green ocean water pushing white foam onto tan sand, then pulling back across the shoreline, with no people, boats, buildings, or logos visible.
- Shot mechanics
- The DJI drone hint matches the overhead aerial composition, with sand across the top of frame, surf foam through the middle, and deeper green water filling the foreground.
Shot slate
- Resolution
- 3840 × 2160
- Frame rate
- 29.97 fps
- Duration
- 6s
- Codec
- H.265 (HEVC) MP4
- File size
- 72 MB
- Location
- El Cardoncito, Baja California Sur, Mexico
- Year filmed
- 2020
- Published
- Oct 2020
Still Frames From This Clip
4 frames exported from the 4K master of this clip, in timeline order. The licensed download is the full-motion master, not these stills.
License this clip royalty-free for $79 (Standard: all media, worldwide, perpetual, up to 1M views) or $199 (Extended: unlimited distribution, broadcast TV, theatrical). Instant 4K download with a license PDF, direct from filmmaker Phil Maher.