Low-resolution preview (256x144) for evaluation. The licensed download is the clean 4K UHD master at the stated resolution.
Download the free low-res preview to test in your editBird's Eye View Of Waves Crashing Over Rocks On (El Cardoncito, 2020)
No people visible. No identifiable people are visible in this clip.
Commercial clearance still depends on the final use and any property shown.
About this clip
The dynamic motion of the ocean highlights natural beauty and raw coastal energy, with turquoise water meeting jagged stone under bright daylight.
Clip Intelligence
- Production use
- Useful for travel edits, coastal documentary sequences, agency mood reels, brand films, and social cuts needing 4K aerial footage of Baja California Sur shoreline, turquoise water, sand, and exposed rocks.
- Edit role
- The short runtime suits a quick opener, shoreline cutaway, transition beat, or natural texture insert between beach activity, regional travel context, and ocean detail shots.
- Visual details
- Bright overhead daylight shows an empty sandy beach on the left, turquoise and deeper blue ocean on the right, white surf lines, scattered dark rocks in the water, low dunes, and no visible people.
- Shot mechanics
- The frames support a DJI-style aerial viewpoint, with beach and dunes held along the left side, ocean filling the right side, rocks in the lower and middle frame, and a level horizon near the upper third.
Shot slate
- Resolution
- 3840 × 2160
- Frame rate
- 29.97 fps
- Duration
- 6s
- Codec
- H.265 (HEVC) MP4
- File size
- 75 MB
- Location
- El Cardoncito, Baja California Sur, Mexico
- Year filmed
- 2020
- Published
- Oct 2020
Still Frames From This Clip
4 frames exported from the 4K master of this clip, in timeline order. The licensed download is the full-motion master, not these stills.
License this clip royalty-free for $79 (Standard: all media, worldwide, perpetual, up to 1M views) or $199 (Extended: unlimited distribution, broadcast TV, theatrical). Instant 4K download with a license PDF, direct from filmmaker Phil Maher.