Low-resolution preview (256x144) for evaluation. The licensed download is the clean 4K UHD master at the stated resolution.
Download the free low-res preview to test in your editOverhead View of Crop Fields and Moving Vehicle on Dirt Road (Todos Santos, 2021)
No people visible. No identifiable people are visible in this clip.
Commercial clearance still depends on the final use and any property shown.
About this clip
The video captures an overhead view of agricultural fields with crop rows, a dirt road, and trees. A blue vehicle moves along the road as the camera advances. Tree shadows shift across the fields and road throughout the sequence.
Clip Intelligence
- Production use
- This overhead 4K agriculture clip fits travel edits, documentary segments, agency mood reels, brand films, and social cuts needing Todos Santos farmland with crop rows, dirt roads, trees, and a small moving vehicle.
- Edit role
- Use it as an eight-second opener, cutaway, transition, or texture beat between coastal Todos Santos scenes and rural agriculture coverage.
- Visual details
- The frames show green crop rows divided by pale dirt roads, scattered trees casting long shadows, and a small blue vehicle on the road, with no visible people.
- Shot mechanics
- The viewpoint is directly overhead from an aerial drone, holding a patterned top-down composition of field rows, road edges, tree canopies, and sun shadows across the frame.
Shot slate
- Resolution
- 3840 × 2160
- Frame rate
- 29.97 fps
- Duration
- 8s
- Codec
- H.265 (HEVC) MP4
- File size
- 105 MB
- Location
- Todos Santos, Baja California Sur, Mexico
- Year filmed
- 2021
- Published
- Mar 2021
Still Frames From This Clip
3 frames exported from the 4K master of this clip, in timeline order. The licensed download is the full-motion master, not these stills.
License this clip royalty-free for $79 (Standard: all media, worldwide, perpetual, up to 1M views) or $199 (Extended: unlimited distribution, broadcast TV, theatrical). Instant 4K download with a license PDF, direct from filmmaker Phil Maher.