Low-resolution preview (256x144) for evaluation. The licensed download is the clean 4K UHD master at the stated resolution.
Download the free low-res preview to test in your editWaves Crashing on Rocky Ocean Outcrop From Above (Marquis los Cabos, 2021)
No people visible. No identifiable people are visible in this clip.
Commercial clearance still depends on the final use and any property shown.
About this clip
Waves crash against a rocky outcrop in the ocean from an aerial perspective. Turquoise water splashes against the brown rocks, forming white foam. The sequence captures the continuous motion of the waves as they hit the seabed.
Clip Intelligence
- Production use
- Aerial ocean texture for travel edits, coastal documentaries, agency mood reels, brand films, and social cuts that need Los Cabos surf striking exposed rock in clear turquoise water.
- Edit role
- Use this short overhead clip as a natural cutaway, transition beat, or visual reset between beach, resort, and coastline scenes where wave impact and white foam carry the edit.
- Visual details
- Brown rock ridges sit in shallow turquoise and green water as white surf breaks around the outcrop, with darker seabed patches below the surface and no visible people.
- Shot mechanics
- The frames support an overhead DJI drone perspective with a near-vertical composition, placing the rocky outcrop in the center or lower frame and surrounding it with open water and foam.
Shot slate
- Resolution
- 3840 × 2160
- Frame rate
- 29.97 fps
- Duration
- 6s
- Codec
- H.265 (HEVC) MP4
- File size
- 76 MB
- Location
- Marquis Los Cabos, Mexico
- Year filmed
- 2021
- Published
- Mar 2021
Still Frames From This Clip
4 frames exported from the 4K master of this clip, in timeline order. The licensed download is the full-motion master, not these stills.
License this clip royalty-free for $79 (Standard: all media, worldwide, perpetual, up to 1M views) or $199 (Extended: unlimited distribution, broadcast TV, theatrical). Instant 4K download with a license PDF, direct from filmmaker Phil Maher.