Low-resolution preview (256x144) for evaluation. The licensed download is the clean 4K UHD master at the stated resolution.
Download the free low-res preview to test in your editWaves Crashing and Receding on Sandy Shore (Dreams los Cabos, 2021) · clip 1 of 3
No people visible. No identifiable people are visible in this clip.
Commercial clearance still depends on the final use and any property shown.
About this clip
Waves crash onto the sandy shore, creating white foam as they recede. The water shifts from turquoise to white as it moves toward and away from the beach. The sequence captures the continuous motion of the ocean meeting the sand.
Clip Intelligence
- Production use
- Use this 4K aerial beach clip for travel edits, coastal documentary sequences, agency mood reels, resort-adjacent brand films, or social cuts needing surf at Dreams Los Cabos in Baja California Sur, Mexico.
- Edit role
- The 7-second shot works as a shoreline texture, transition, or closing beat, with foamy surf filling the lower frame and wet sand holding the upper frame.
- Visual details
- Turquoise water rolls into white foam across tan sand, the beach stays empty, no people are visible, and soft overhead light keeps the water and sand colors clear.
- Shot mechanics
- The frames support an aerial, top-down drone composition, with ocean in the foreground, breaking foam through the midground, and smooth sandy shore in the background.
Shot slate
- Resolution
- 3840 × 2160
- Frame rate
- 29.97 fps
- Duration
- 7s
- Codec
- H.264 MP4
- File size
- 84 MB
- Location
- Dreams Los Cabos, Baja California Sur, Mexico
- Year filmed
- 2021
- Published
- May 2021
Still Frames From This Clip
4 frames exported from the 4K master of this clip, in timeline order. The licensed download is the full-motion master, not these stills.
License this clip royalty-free for $79 (Standard: all media, worldwide, perpetual, up to 1M views) or $199 (Extended: unlimited distribution, broadcast TV, theatrical). Instant 4K download with a license PDF, direct from filmmaker Phil Maher.