Low-resolution preview (256x144) for evaluation. The licensed download is the clean 4K UHD master at the stated resolution.
Download the free low-res preview to test in your editPier with Circular Markers Extending Into Teal Water (Guerrero Negro, 2022)
No people visible. No identifiable people are visible in this clip.
Commercial clearance still depends on the final use and any property shown.
About this clip
An aerial view shows a pier extending into deep teal water. The pier features circular markers along its edge and a sandy shore. The camera moves, revealing the calm water and shallow areas near the shore.
Clip Intelligence
- Production use
- Useful for travel edits, documentary geography segments, agency mood reels, brand films, and social cuts needing a top-down Guerrero Negro coastal pier with teal water and sandy shoreline.
- Edit role
- This six-second aerial works as a clean cutaway, transition, or brief location beat between ground-level Guerrero Negro shore details and wider coastal context.
- Visual details
- A pale sandy pier or peninsula extends into deep teal water, with four circular end markers, shallow dark patches near shore, small buoys, bright sun, and no visible people.
- Shot mechanics
- The frames support an overhead drone composition with water filling the left side, the pier crossing from the right toward center, and shallow mudflat texture visible along the lower shoreline.
Shot slate
- Resolution
- 3840 × 2160
- Frame rate
- 29.97 fps
- Duration
- 6s
- Codec
- H.265 (HEVC) MP4
- File size
- 71 MB
- Location
- Guerrero Negro, Baja California Sur, Mexico
- Year filmed
- 2022
- Published
- Jun 2026
Still Frames From This Clip
3 frames exported from the 4K master of this clip, in timeline order. The licensed download is the full-motion master, not these stills.
License this clip royalty-free for $79 (Standard: all media, worldwide, perpetual, up to 1M views) or $199 (Extended: unlimited distribution, broadcast TV, theatrical). Instant 4K download with a license PDF, direct from filmmaker Phil Maher.