Low-resolution preview (256x144) for evaluation. The licensed download is the clean 4K UHD master at the stated resolution.
Download the free low-res preview to test in your editAerial View of Busy Street With Many Cars Coming And Going (Los Angeles, 2019)
About this clip
Aerial view of a bustling Los Angeles street in 2019, filled with cars and trucks moving through heavy traffic. The dynamic flow of urban transportation captures the energy of city life from above. Ideal for documentaries, editorial content, or nostalgic storytelling about urban development and daily life in Southern California.
Clip Intelligence
- Production use
- Useful for Los Angeles documentary segments, transportation explainers, agency mood reels, brand films, and social edits that need a 2019 urban traffic view from above.
- Edit role
- A short opener, transition, or cutaway for a city mobility sequence, giving editors a broad street view with moving cars and trucks before cutting into closer traffic or night road material.
- Visual details
- The frames show a wide elevated view over multilane roads, parking lots, low commercial buildings, distant hills, palm trees, cars, trucks, a roadside billboard, bright sky, and no visible people.
- Shot mechanics
- The composition holds a high aerial-style angle with parking and trees in the foreground, traffic in the midground, low city blocks beyond, and a clear horizon under strong late-day light.
Shot slate
- Resolution
- 3840 × 2160
- Frame rate
- 29.97 fps
- Duration
- 5s
- Codec
- H.264 MP4
- File size
- 36 MB
- Location
- Los Angeles, California, United States
- Year filmed
- 2019
- Published
- Jun 2026
Still Frames From This Clip
3 frames exported from the 4K master of this clip, in timeline order. The licensed download is the full-motion master, not these stills.
License this clip royalty-free for $79 (Standard: all media, worldwide, perpetual, up to 1M views) or $199 (Extended: unlimited distribution, broadcast TV, theatrical). Instant 4K download with a license PDF, direct from filmmaker Phil Maher.